Lyndon Barrois Jr. is an artist living and working in Pittsburgh, Pennsylvania (USA). Their approach to color is guided by the structures of commercial printing and civic design, and their approach to printmaking is scrappy and vernacular. Lyndon’s project-based work spans across painting, collage, and sculpture, and often makes use of transfer print techniques, and occasionally lithographic or silkscreen processes.

Ericka Walker is an artist living and working in Nova Scotia, Canada. Her approach to color is tactical, with a healthy dose of indecisive intuition. Her approach to printmaking is often procedural, with sporadic bouts of experimentation and innovation. Her large poster work is created with lithographic printmaking techniques.

Amber Heaton is an artist living and working in Brooklyn, New York (USA). Her approach to color is optical, and their approach to printmaking is systematic. Amber’s geometric and abstract works are created with relief and letterpress printmaking techniques. She also makes paintings, sculpture and installations. Currently Amber is creating a new body of mixed media works combining painted wood and string.

Tanja Softić is an artist living and working in Richmond, Virginia (USA). She approaches color as a manifestation of light, time of day, season or emotional tone and her printmaking work is simultaneously grounded in traditional media but experimental and interdisciplinary in approach. Tanja’s polyphonic, layered and evocative works are created with etching, photoetching, digital print and collage, along with mokuhanga, monotype, drawing and painting.

Julie Alpert is an artist living and working in Tulsa, Oklahoma (USA). Her approach to color is intuitive, theatrical, nostalgic, and all about relationships (shiny vs matte; saturated vs dull; fluorescent vs earthtones). Julie’s installations, drawings, and collages are created using basic techniques from childhood arts and crafts like cutting, gluing, taping, and coloring. She almost never works from a plan, but with a set of materials and visual symbols, allowing the work to tell her where to go while she’s making it.

David Lopes is an artist living and working in Porto (Portugal). He often works with analogous hues in his approach to color, and his approach to printmaking is interdisciplinary. The multi-layered surfaces of his work are made through etching processes, and he also works in watercolor painting. David is currently enrolled in a PhD program in Fine Arts at Universidade do Porto, where he is also working within the faculty on a new printmaking research center, In Pure Print. David focuses his own study on photomechanical printing processes from the 19th century.

Kristin Sarette is an artist living and working in Logan, Utah (USA). Her approach to color is varied and intuitive, and her approach to printmaking is technical and material-based. The blended, layered and deceptively simple prints Kristin makes are created with lithography, blind embossing and dry roll flats. Currently she has a solo exhibition at the Whitney Center for the Arts at Sheridan College (Wyoming) and will then have a solo exhibition at the Plains Art Museum (Fargo, North Dakota).

Katie Baldwin is an artist in Huntsville, Alabama (USA) and she is currently living and working in Taiwan as a Fulbright Scholar. Katie’s approach to color is deliberate and her approach to printmaking is rigorous. Her narrative and abstract landscape work is created with woodblock and letterpress printmaking techniques and her daily practice includes a larger range of activities such as drawing and quilting. Through this daily practice, she investigates the process of learning through making.

Jason Urban and Leslie Mutchler are collaborators living and working in Brooklyn, NY. Their approach to color is ever-evolving and their approach to printmaking is expansive and multi-disciplinary. Their project-based, research-intensive work is created with a wide variety of analog and digital printmaking techniques. Currently they are developing a body of work called Geochromatics, an open-ended inquiry into color and its representation in science, pseudo-science, and the spiritual.

Amanda Knowles is an artist living and working in Seattle, WA. Her approach to color is tentative and changeable, and her approach to printmaking is adaptive as she experiments with material, mark, and surface. Her intensely layered work is created with screen printing techniques blended with drawing and painting. Currently she is continuing to work on a series of abstracted mixed media works on paper based in the industrial landscape.

Angela Pilgrim is an artist living and working in Newark, New Jersey (USA). In her work she uses complimentary colors to explores color theory to further connect her language to the viewer. Her precision-oriented prints incorporate abstract shapes, patterns and Black identity/narrative. Angela works with screenprinting, risography, painting and collage. Her current work focuses on a series of risograph prints and a book about the story of black girl(s)/women hairstyle experience, and a risograph book on the connection between mother, son and the world called "black boy warrior".

Lisa Wicka is an artist living and working in Green Bay, Wisconsin (USA). Her approach to color is responsive and her approach to printmaking is both controlled and spontaneous. Lisa’s mixed media work is created with a combination of silkscreen, relief and monoprint printmaking techniques. Currently, Lisa is working on a series that responds to the Covid-19 pandemic focusing on the use of texture in combination with coping language.

Keiko Hara was raised and educated in Japan and came to the USA to pursue her art, completing an MFA at Cranbrook Academy of Art in 1976. She has lived and worked in Walla Walla, Washington, for many years. She taught art at Whitman College, Walla Walla, and also was chair of the Department of Fine Art there. Keiko’s art embraces many mediums—painting in oil and watercolor; installations using glass; and printmaking using a wide range of techniques.

Drew Steinbrecher is an artist living and working in Cincinnati, Ohio (USA). He wings it with his approach to color, and his approach to printmaking is improvisational. Drew’s prints embody a controlled chaos using gelatin plate printing methods, and he also works with collage and sewing. He is currently working on a series of collages with monoprinted layers.

Miguel Rivera-Ortega is an artist living and working in Kansas City Missouri (USA). His approach to color is informed by his interest in Latinamerican identity history, and his approach to printmaking is non-linear and complex.  His multilayered expanded media work is created with intaglio, relief and lithographic printmaking  techniques as well as digital tools such as laser and CNC technology. Currently Miguel is working on a series of works on paper addressing religious architecture, mapping and how they are used to instill colonialism.