Valerie Lueth is an artist living and working in Pittsburgh, PA. Her approach to color is strategic and radiant, her approach to printmaking is exacting. Valerie hand-draws & hand-carves multiple woodblocks to create her printworks, laying color to paper in glowing ink layers, slowly building her imagery through deliberately stacked impressions. The meticulous linework she draws/carves direct to block translates exquisitely into woodcut. Her artworks carry a feeling of purpose that trails through their crafting to end results that feel alive on the paper.

Kim Kei is an artist living and working in Los Angeles, California (USA). A sense of searching forms her approach to color, and her approach to printmaking is to listen to and collaborate with the materials themselves. Kim’s biomorphic, membranic work has implied movement. It is created with layered monotype and collagraph print techniques and low-relief sculptural skins, which become drawing partners in the process.

Monika Lin is an artist living and working in Shanghai (China) and Philadelphia (USA). Her approach to color is conceptually linked to the subject in her work, and her approach to printmaking material, aesthetic and conceptual. Monika’s experimental and interdisciplinary work is created with relief printing, engraving, monotype/transfer, stencil, letterpress and digital printmaking techniques. She also works with painting, drawing, stop-motion animation, assemblage, manufacturing, weaving and sewing in her work.

Orit Hofshi is an artist living and working just north of Tel Aviv (Israel). Her approach to color has been very particular, while recently becoming bolder. She is a passionate scholar of printmaking traditions and the great masters, and she also explores a combinatorial and non-conventional approach to printmaking.

Justin Diggle is an artist living and working in Salt Lake City, Utah (USA). His approach to color is somewhat planned but also serendipitous, and his approach to printmaking uses collaging as the basis of ideas. His textural and surreal work is created with screenprint, laser engraving, etching printmaking techniques, and graphite drawings.

Mark Hosford is an artist living and working in Nashville, Tennessee (USA). His approach to color is intuitive, and he is glutton for punishment in his approach to printmaking. Mark’s playful, curious, and mystical work is created with screenprinting and relief printmaking techniques. His work is mostly drawing-based, and he occasionally works with animation and other materialistic flights of fancy.

Heather Kahn-Pyatt is an artist living and working in Boulder, Colorado (USA). Her approach to color is both formal and intuitive, and her approach to printmaking is iterative. Her textural and evolving work is created with serigraphy, xylography, linocut, monotype, and monoprint printmaking techniques, Her other ways of working include hand drawings, painting, and pochoir. Currently, Heather is working on continuing to develop work based on a handful of themes that she has been exploring for the past couple of years, hopefully creating both larger, unique prints as well as editions.

Sangmi Yoo is an artist living and working in Lubbock, Texas (USA). Her approach to color reflects personal and public environments, and her approach to printmaking involves an economy of layering colors. Sangmi’s architectural work simulates optical illusions in conjunction with tangible realities. She uses screenprinting, laser engraving and risograph printing, among other media, to create installations with constructed print panels that are hand-cut or laser-cut.

Asa Mease is an artist and printmaker living and working in Boulder, Colorado (USA). His approach to color highlights its materiality, and his meandering approach to printmaking is one of reproducibility and found images. His work in print, book arts, sculpture, and paint is rooted in a conceptual and research-based practice, and references products, artifacts, and ephemera, with a foundation in the practical and quotidian.

Shane O’Driscoll is an artist living and working in Cork, Ireland. His approach to color is intuitive, and his approach to printmaking is redactive and experimental. Shane’s graphic, bold and bright works are created with silkscreen and letterpress printmaking techniques. He also works with painted murals and sculptures. Currently Shane is working on a large corporate commission and co-directing a street art project in his home city.

Sam Hodge is an artist living and working in London (United Kingdom). The colours she uses are often handmade and are carefully considered and full of associations. Her approach to printmaking is to work with what she finds to explore material transformations. Sam Hodge is drawn to discarded human-made objects particularly those that have been transformed by processes such as weathering or accident into ambiguous and animated forms.

Cameron York is an artist living and working in Portland, Oregon (USA). Her approach to color is bold and her approach to printmaking is vibrant and ever-evolving. Cameron’s multi-layered and bright works are created with intaglio, monotype and hand-worked media.

Tracy Featherstone is an artist living and working in Cincinnati, Ohio (USA). Her approach to color is unrepentant and she has a call-and-response approach to printmaking. Tracy’s experimental, tactile and boundary-less works are created with screenprint, relief and collagraph printing techniques. She also works with drawing, sculpture, ceramics and textiles.

Rod Nelson is an artist and printmaker living in South West England. His approach to colour was initially secondary to his interest in form, but has become increasingly relevant to his way of working. He exclusively works in woodblock print and is currently working on a series of very large prints inspired by the wild North coast of the Western peninsula of England.

Cathie Crawford is an artist living and working in Peoria, Illinois (USA). Her work is a confluence of luminous colors built with reduction woodcut and pochoir methods of printmaking. Visual qualities of Cathie’s abstract works include split-fount rolls and imagery of water. Cathie also makes monoprints. She is currently creating a non-objective reduction woodcut, 24 x 36 inch bleed print.