Monika Lin is an artist living and working in Shanghai (China) and Philadelphia (USA). Her approach to color is conceptually linked to the subject in her work, and her approach to printmaking material, aesthetic and conceptual. Monika’s experimental and interdisciplinary work is created with relief printing, engraving, monotype/transfer, stencil, letterpress and digital printmaking techniques. She also works with painting, drawing, stop-motion animation, assemblage, manufacturing, weaving and sewing in her work.

Asa Mease is an artist and printmaker living and working in Boulder, Colorado (USA). His approach to color highlights its materiality, and his meandering approach to printmaking is one of reproducibility and found images. His work in print, book arts, sculpture, and paint is rooted in a conceptual and research-based practice, and references products, artifacts, and ephemera, with a foundation in the practical and quotidian.

Sam Hodge is an artist living and working in London (United Kingdom). The colours she uses are often handmade and are carefully considered and full of associations. Her approach to printmaking is to work with what she finds to explore material transformations. Sam Hodge is drawn to discarded human-made objects particularly those that have been transformed by processes such as weathering or accident into ambiguous and animated forms.

John Hitchcock is an artist living and working in Madison, Wisconsin (USA). His energetic approach to color is not always planned and his approach to printmaking is intense. The symbols and stories (including abstract representations, mythological hybrid creatures and military weaponry) in John’s work are created with screenprint, lithography, paper dye and relief print techniques.

Rachel Livedalen is an artist living and working in Texas (USA). Her approach to color is referential and her approach to printmaking involves combining printmaking processes and methods with painting. Rachel’s work references art history and pop culture and is created with screenprinting and stencil techniques, alongside airbrush and acrylic painting.

Jill AnnieMargaret is an artist living and working in Boise, Idaho. Her approach to color is intuitive and her approach to printmaking is adventurous. Jill’s varied and unconventional work utilizes the processes of screenprint, etching, monotype and relief to create immersive experiences for the viewer.

Kat Richards is an artist living and working in Fayetteville, Arkansas (USA). Their approach to color is one of foraging, and their approach to printmaking involves assemblage. Kat’s fanatical, blunt and equivocal work is created with monoprinting techniques and three-dimensional materials which involve wood, felt, metal, and fabric.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Laura Bigger is an artist living and working in Kirksville, Missouri (USA). Her approach to color is associative, and her approach to printmaking is varied. Her symbolic, disorienting and surreal work is created with intaglio, relief, silkscreen and lithographic printmaking techniques. Currently Laura is working on a series of monoprints that experiment with opposing elements such as light (reflection) and dark (absorption) to represent a range of metaphorical outcomes or pathways. 

Jennifer Ghormley is an artist living and working in Denver, Colorado (USA). Her approach to color is site-specific, and she chooses her color palette based on the content or meaning of the artwork, as well as the specific audience the piece is for. Jennifer’s approach to printmaking is non-traditional and her fun, playful, engaging, unique, mysterious and unusual multiples are created with woodcut, screenprint, monoprint and trace monotype techniques. She also works with cuts, folds, pins, sewing, thread and shapes.

Addoley Dzegede is an artist living and working in Pittsburgh, Pennsylvania and also in Tulsa, Oklahoma (USA), where she is a Tulsa Artist Fellow. Addoley’s approach to color is unabashed and she has a mixed-media approach to printmaking. Her patterned, nuanced, referential work is created with screen printing and block printing, and she also works with batik, casting, dyeing, weaving, sewing, netting, carving, video, assemblage, book arts and ceramics.

Camilla Taylor is an artist living and working in Los Angeles, California (USA). Her approach to color is subtle and limited to a palette of blacks, greys and graphite, and her approach to printmaking is generous and experimental. Camilla’s figurative and monochromatic work, which references interiority, is created with intaglio, relief and monoprint printmaking techniques and she also works with ceramic, glass, metal, fiber and installation.

Celeste De Luna is an artist living and working in San Antonio, Texas (USA). Her approach to color is thoughtful, and her approach to printmaking is based on a love of process. Celeste’s impactful work is created with relief printmaking techniques and is sometimes printed on fabric and mixed media printmaking techniques. Currently she is working on images about creatures of the future.

Amber Heaton is an artist living and working in Brooklyn, New York (USA). Her approach to color is optical, and their approach to printmaking is systematic. Amber’s geometric and abstract works are created with relief and letterpress printmaking techniques. She also makes paintings, sculpture and installations. Currently Amber is creating a new body of mixed media works combining painted wood and string.

Jason Urban and Leslie Mutchler are collaborators living and working in Brooklyn, NY. Their approach to color is ever-evolving and their approach to printmaking is expansive and multi-disciplinary. Their project-based, research-intensive work is created with a wide variety of analog and digital printmaking techniques. Currently they are developing a body of work called Geochromatics, an open-ended inquiry into color and its representation in science, pseudo-science, and the spiritual.