Valerie Lueth is an artist living and working in Pittsburgh, PA. Her approach to color is strategic and radiant, her approach to printmaking is exacting. Valerie hand-draws & hand-carves multiple woodblocks to create her printworks, laying color to paper in glowing ink layers, slowly building her imagery through deliberately stacked impressions. The meticulous linework she draws/carves direct to block translates exquisitely into woodcut. Her artworks carry a feeling of purpose that trails through their crafting to end results that feel alive on the paper.

Monika Lin is an artist living and working in Shanghai (China) and Philadelphia (USA). Her approach to color is conceptually linked to the subject in her work, and her approach to printmaking material, aesthetic and conceptual. Monika’s experimental and interdisciplinary work is created with relief printing, engraving, monotype/transfer, stencil, letterpress and digital printmaking techniques. She also works with painting, drawing, stop-motion animation, assemblage, manufacturing, weaving and sewing in her work.

Orit Hofshi is an artist living and working just north of Tel Aviv (Israel). Her approach to color has been very particular, while recently becoming bolder. She is a passionate scholar of printmaking traditions and the great masters, and she also explores a combinatorial and non-conventional approach to printmaking.

Heather Kahn-Pyatt is an artist living and working in Boulder, Colorado (USA). Her approach to color is both formal and intuitive, and her approach to printmaking is iterative. Her textural and evolving work is created with serigraphy, xylography, linocut, monotype, and monoprint printmaking techniques, Her other ways of working include hand drawings, painting, and pochoir. Currently, Heather is working on continuing to develop work based on a handful of themes that she has been exploring for the past couple of years, hopefully creating both larger, unique prints as well as editions.

Sam Hodge is an artist living and working in London (United Kingdom). The colours she uses are often handmade and are carefully considered and full of associations. Her approach to printmaking is to work with what she finds to explore material transformations. Sam Hodge is drawn to discarded human-made objects particularly those that have been transformed by processes such as weathering or accident into ambiguous and animated forms.

Tracy Featherstone is an artist living and working in Cincinnati, Ohio (USA). Her approach to color is unrepentant and she has a call-and-response approach to printmaking. Tracy’s experimental, tactile and boundary-less works are created with screenprint, relief and collagraph printing techniques. She also works with drawing, sculpture, ceramics and textiles.

Rod Nelson is an artist and printmaker living in South West England. His approach to colour was initially secondary to his interest in form, but has become increasingly relevant to his way of working. He exclusively works in woodblock print and is currently working on a series of very large prints inspired by the wild North coast of the Western peninsula of England.

Cathie Crawford is an artist living and working in Peoria, Illinois (USA). Her work is a confluence of luminous colors built with reduction woodcut and pochoir methods of printmaking. Visual qualities of Cathie’s abstract works include split-fount rolls and imagery of water. Cathie also makes monoprints. She is currently creating a non-objective reduction woodcut, 24 x 36 inch bleed print.

Hilary Lorenz is an artist living and working in Abiquiu, New Mexico (USA) and in remote wilderness cabins whenever invited. Her approach to color is informed by her environment and process. Hilary's approach to printmaking is physical and direct and her bold, expressive work is created with relief printmaking, marbling, collage, and watercolor drawings. Her large-scale linoleum block printed and cut paper installations are derived from her physical exploration and relationship with the natural world.

Arron Foster is an artist living and working in Kent, Ohio (USA). His approach to color is intuitive and rooted in his exploration of place, and his approach to printmaking is interdisciplinary and project driven. Arron's research-based work is investigative and involves observing, studying, and documenting specific locations using print media and installation. He hopes that his work will encourage interest and empathy for the spaces we occupy.

Denise Karabinus is an artist living and working in Honolulu, Hawai’I (USA). Her approach to color is harmonized and her approach to printmaking is sculptural. Denise’s organic, transformed and layered prints are created with intaglio, woodblock, chine collé and drawing processes.

Jill AnnieMargaret is an artist living and working in Boise, Idaho. Her approach to color is intuitive and her approach to printmaking is adventurous. Jill’s varied and unconventional work utilizes the processes of screenprint, etching, monotype and relief to create immersive experiences for the viewer.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Laura Bigger is an artist living and working in Kirksville, Missouri (USA). Her approach to color is associative, and her approach to printmaking is varied. Her symbolic, disorienting and surreal work is created with intaglio, relief, silkscreen and lithographic printmaking techniques. Currently Laura is working on a series of monoprints that experiment with opposing elements such as light (reflection) and dark (absorption) to represent a range of metaphorical outcomes or pathways. 

Joseph Lupo is an artist living and working in Morgantown, West Virginia (USA). His approach to color is appropriation-based, and his approach to printmaking involves concept dictating process. Joseph’s comic imagery, with its confusing or poetic text, is created using CMYK silkcreen, relief and intaglio in combination with laser-cut plates, and risograph printing.