Kim Kei is an artist living and working in Los Angeles, California (USA). A sense of searching forms her approach to color, and her approach to printmaking is to listen to and collaborate with the materials themselves. Kim’s biomorphic, membranic work has implied movement. It is created with layered monotype and collagraph print techniques and low-relief sculptural skins, which become drawing partners in the process.

Heather Kahn-Pyatt is an artist living and working in Boulder, Colorado (USA). Her approach to color is both formal and intuitive, and her approach to printmaking is iterative. Her textural and evolving work is created with serigraphy, xylography, linocut, monotype, and monoprint printmaking techniques, Her other ways of working include hand drawings, painting, and pochoir. Currently, Heather is working on continuing to develop work based on a handful of themes that she has been exploring for the past couple of years, hopefully creating both larger, unique prints as well as editions.

Sam Hodge is an artist living and working in London (United Kingdom). The colours she uses are often handmade and are carefully considered and full of associations. Her approach to printmaking is to work with what she finds to explore material transformations. Sam Hodge is drawn to discarded human-made objects particularly those that have been transformed by processes such as weathering or accident into ambiguous and animated forms.

Cameron York is an artist living and working in Portland, Oregon (USA). Her approach to color is bold and her approach to printmaking is vibrant and ever-evolving. Cameron’s multi-layered and bright works are created with intaglio, monotype and hand-worked media.

Cathie Crawford is an artist living and working in Peoria, Illinois (USA). Her work is a confluence of luminous colors built with reduction woodcut and pochoir methods of printmaking. Visual qualities of Cathie’s abstract works include split-fount rolls and imagery of water. Cathie also makes monoprints. She is currently creating a non-objective reduction woodcut, 24 x 36 inch bleed print.

Kat Richards is an artist living and working in Fayetteville, Arkansas (USA). Their approach to color is one of foraging, and their approach to printmaking involves assemblage. Kat’s fanatical, blunt and equivocal work is created with monoprinting techniques and three-dimensional materials which involve wood, felt, metal, and fabric.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Laura Bigger is an artist living and working in Kirksville, Missouri (USA). Her approach to color is associative, and her approach to printmaking is varied. Her symbolic, disorienting and surreal work is created with intaglio, relief, silkscreen and lithographic printmaking techniques. Currently Laura is working on a series of monoprints that experiment with opposing elements such as light (reflection) and dark (absorption) to represent a range of metaphorical outcomes or pathways. 

Camilla Taylor is an artist living and working in Los Angeles, California (USA). Her approach to color is subtle and limited to a palette of blacks, greys and graphite, and her approach to printmaking is generous and experimental. Camilla’s figurative and monochromatic work, which references interiority, is created with intaglio, relief and monoprint printmaking techniques and she also works with ceramic, glass, metal, fiber and installation.

Lisa Wicka is an artist living and working in Green Bay, Wisconsin (USA). Her approach to color is responsive and her approach to printmaking is both controlled and spontaneous. Lisa’s mixed media work is created with a combination of silkscreen, relief and monoprint printmaking techniques. Currently, Lisa is working on a series that responds to the Covid-19 pandemic focusing on the use of texture in combination with coping language.

Drew Steinbrecher is an artist living and working in Cincinnati, Ohio (USA). He wings it with his approach to color, and his approach to printmaking is improvisational. Drew’s prints embody a controlled chaos using gelatin plate printing methods, and he also works with collage and sewing. He is currently working on a series of collages with monoprinted layers.

Karen Lederer is an artist living and working in Brooklyn, New York (USA). Her approach to color is intuitive and her approach to printmaking is experimental and painterly. Karen’s still-lifes, made with monoprinting techniques, emphasize the role of curation, artistic influence, consumerism, point-of-view and aesthetics in our daily life.

Eunice Kim is an artist living and working in the beautiful Cascade Mountain foothills of rural Seattle, Washington (USA). Her approach to color is monochromatic and her approach to printmaking is rigorously minimalist. Eunice's newest "Nature Stories" series finds material and inspiration in reclaimed wood.

Susan J Goldman is an artist living and working in Rockville, Maryland (USA). Her approach to color is intuitive, and her approach to printmaking is interdisciplinary. Susan’s bold, layered and elegant work is created with screenprint, relief, monotype and digital printmaking processes. She also works in three-dimensional digital print applications for collaborative dance performances. Currently Susan is working on a project titled "Look Again: Five Centuries to Five Seconds”, presented by the Printmaking Legacy Project ®. This interview project organized by Susan Goldman re-examines what comprises a print, how it and the process of art making has changed, and how hybrid printing methods and a specific interest in how photographic techniques have affected artistic exploration. Susan is also working towards the exhibition: "Black & Blue: New Prints in the Time of Covid” at Galerie Myrtis, Baltimore, MD in March 2021.

Sarah Smelser is an artist living and working in Bloomington, Illinois (USA). Her approach to color is intuitive, and she has an old-school approach to printmaking. Her abstract, elegant and contradictory work is created with trace monotype methods along with T.L.C. Currently Sarah is working on a suite of works titled Morning Walk.