Asa Mease is an artist and printmaker living and working in Boulder, Colorado (USA). His approach to color highlights its materiality, and his meandering approach to printmaking is one of reproducibility and found images. His work in print, book arts, sculpture, and paint is rooted in a conceptual and research-based practice, and references products, artifacts, and ephemera, with a foundation in the practical and quotidian.

Julie Anne Greenberg is an artist living and working in Raleigh, North Carolina (USA). Julie’s approach to color is intuitive and her approach to printmaking is experimental. Her layered, paper relief works are created using screenprinting techniques through the exposure of natural textures such as sand, water, and other materials onto screens. Julie also works with spray acrylic and pigment on printed paper, cut paper and constructed relief work.

John Hitchcock is an artist living and working in Madison, Wisconsin (USA). His energetic approach to color is not always planned and his approach to printmaking is intense. The symbols and stories (including abstract representations, mythological hybrid creatures and military weaponry) in John’s work are created with screenprint, lithography, paper dye and relief print techniques.

Rachel Livedalen is an artist living and working in Texas (USA). Her approach to color is referential and her approach to printmaking involves combining printmaking processes and methods with painting. Rachel’s work references art history and pop culture and is created with screenprinting and stencil techniques, alongside airbrush and acrylic painting.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Chadwick Tolley is an artist living and working in Augusta, Georgia. His approach to color is based on principles of visual hierarchy; starting with light analogous background layers, then moving to split complimentary hues, tones and shades for key images. His approach to printmaking is to treat each print as a visual documentation of process. Currently he is working on various projects that include solo and group exhibitions, zines and portfolio exchanges.

Amze Emmons is an artist living and working in Philadelphia, Pennsylvania (USA). His approach to color is often strangely playful, and his approach to printmaking is experimental, often using chance and craft to trouble traditional expectations. Amze’s distinctive depictions of mundane objects and depopulated, urban landscapes are often created by combining several printmaking techniques with hand-coloring. Currently he is working on a series of prints putting the precarious quality of drawing into tension with the authority of the printed mark.

Sean P. Morrissey is an artist living and working in Fayetteville, Arkansas (USA). Their approach to color is observational and their approach to printmaking is broad. Sean’s critical and research-based work is created with a variety of reproducible media, along with 3D modeling, collage, drawing and painting. Currently, they are developing a body of work for the exhibition Tiny roads that lead to nowhere, with Lenore Thomas, that pairs analog and digital print methods as framed works and takeaways.

Kristen Martincic is an artist living and working in Columbia, Missouri (USA). Her approach to color is to evoke a sensory experience, and her approach to printmaking is mindful. Kristen’s subtle, meditative and luminous prints are created with relief, woodcut, monotype and collagraph processes. She also manipulates printed paper through sewing, stuffing & collaging, creating mixed media works that are a hybrid of print, drawing, painting and sculpture.

Lyndon Barrois Jr. is an artist living and working in Pittsburgh, Pennsylvania (USA). Their approach to color is guided by the structures of commercial printing and civic design, and their approach to printmaking is scrappy and vernacular. Lyndon’s project-based work spans across painting, collage, and sculpture, and often makes use of transfer print techniques, and occasionally lithographic or silkscreen processes.

Amber Heaton is an artist living and working in Brooklyn, New York (USA). Her approach to color is optical, and their approach to printmaking is systematic. Amber’s geometric and abstract works are created with relief and letterpress printmaking techniques. She also makes paintings, sculpture and installations. Currently Amber is creating a new body of mixed media works combining painted wood and string.

Tanja Softić is an artist living and working in Richmond, Virginia (USA). She approaches color as a manifestation of light, time of day, season or emotional tone and her printmaking work is simultaneously grounded in traditional media but experimental and interdisciplinary in approach. Tanja’s polyphonic, layered and evocative works are created with etching, photoetching, digital print and collage, along with mokuhanga, monotype, drawing and painting.

Julie Alpert is an artist living and working in Tulsa, Oklahoma (USA). Her approach to color is intuitive, theatrical, nostalgic, and all about relationships (shiny vs matte; saturated vs dull; fluorescent vs earthtones). Julie’s installations, drawings, and collages are created using basic techniques from childhood arts and crafts like cutting, gluing, taping, and coloring. She almost never works from a plan, but with a set of materials and visual symbols, allowing the work to tell her where to go while she’s making it.

David Lopes is an artist living and working in Porto (Portugal). He often works with analogous hues in his approach to color, and his approach to printmaking is interdisciplinary. The multi-layered surfaces of his work are made through etching processes, and he also works in watercolor painting. David is currently enrolled in a PhD program in Fine Arts at Universidade do Porto, where he is also working within the faculty on a new printmaking research center, In Pure Print. David focuses his own study on photomechanical printing processes from the 19th century.

Amanda Knowles is an artist living and working in Seattle, WA. Her approach to color is tentative and changeable, and her approach to printmaking is adaptive as she experiments with material, mark, and surface. Her intensely layered work is created with screen printing techniques blended with drawing and painting. Currently she is continuing to work on a series of abstracted mixed media works on paper based in the industrial landscape.