Sangmi Yoo is an artist living and working in Lubbock, Texas (USA). Her approach to color reflects personal and public environments, and her approach to printmaking involves an economy of layering colors. Sangmi’s architectural work simulates optical illusions in conjunction with tangible realities. She uses screenprinting, laser engraving and risograph printing, among other media, to create installations with constructed print panels that are hand-cut or laser-cut.

Charles Beneke is an artist living and working in Akron, Ohio (USA). His approach to color is thoughtful and experimental. Charles works with diverse printmaking techniques, most recently focusing upon lithography, screenprint, and letterpress. His prints and installations have been driven by a desire to effect change in individuals’ responsibility related to climate change and social justice.

Lyndon Barrois Jr. is an artist living and working in Pittsburgh, Pennsylvania (USA). Their approach to color is guided by the structures of commercial printing and civic design, and their approach to printmaking is scrappy and vernacular. Lyndon’s project-based work spans across painting, collage, and sculpture, and often makes use of transfer print techniques, and occasionally lithographic or silkscreen processes.

Ericka Walker is an artist living and working in Nova Scotia, Canada. Her approach to color is tactical, with a healthy dose of indecisive intuition. Her approach to printmaking is often procedural, with sporadic bouts of experimentation and innovation. Her large poster work is created with lithographic printmaking techniques.

Kristin Sarette is an artist living and working in Logan, Utah (USA). Her approach to color is varied and intuitive, and her approach to printmaking is technical and material-based. The blended, layered and deceptively simple prints Kristin makes are created with lithography, blind embossing and dry roll flats. Currently she has a solo exhibition at the Whitney Center for the Arts at Sheridan College (Wyoming) and will then have a solo exhibition at the Plains Art Museum (Fargo, North Dakota).

Miguel Rivera-Ortega is an artist living and working in Kansas City Missouri (USA). His approach to color is informed by his interest in Latinamerican identity history, and his approach to printmaking is non-linear and complex.  His multilayered expanded media work is created with intaglio, relief and lithographic printmaking  techniques as well as digital tools such as laser and CNC technology. Currently Miguel is working on a series of works on paper addressing religious architecture, mapping and how they are used to instill colonialism.  

Marilee Salvator is an artist living and working in Bowling Green, Kentucky (USA). Her approach to color is intuitive and her approach to printmaking experimental. Marilee’s highly layered, abstract and biology-inspired work is created with a mix of printmaking process including etching, relief, screen-print and monotype. Currently she is juggling a few different projects including a large-scale, modular print installation and several more modest sized traditional pieces that incorporate collaged prints.

Nick Satinover is an artist living and working in Murfreesboro, Tennessee (USA). His approach to color is responsive and his approach to printmaking is luddite. Nick’s contrasting, accumulative and collage work is created primarily with lithography and woodcut printmaking techniques and occasionally everything else. Currently he is preparing works for delayed solo exhibitions and a series of loop-based guitar compositions which will be made into an edition of lathe-cut vinyl records (with accompanying printed material).

Mary Gordon is an artist living and working in Manhattan, Kansas. Her approach to color is fueled by observations in her environment and her approach to printmaking is reactionary. Mary’s playful and layered work is created with monotype printmaking techniques, mixed media and collage. Currently she is working on a series of prints she calls "Shifting Landscapes" : observations of land and sky in the Flint Hills of Kansas.