Sangmi Yoo is an artist living and working in Lubbock, Texas (USA). Her approach to color reflects personal and public environments, and her approach to printmaking involves an economy of layering colors. Sangmi’s architectural work simulates optical illusions in conjunction with tangible realities. She uses screenprinting, laser engraving and risograph printing, among other media, to create installations with constructed print panels that are hand-cut or laser-cut.

Arron Foster is an artist living and working in Kent, Ohio (USA). His approach to color is intuitive and rooted in his exploration of place, and his approach to printmaking is interdisciplinary and project driven. Arron's research-based work is investigative and involves observing, studying, and documenting specific locations using print media and installation. He hopes that his work will encourage interest and empathy for the spaces we occupy.

Joseph Lupo is an artist living and working in Morgantown, West Virginia (USA). His approach to color is appropriation-based, and his approach to printmaking involves concept dictating process. Joseph’s comic imagery, with its confusing or poetic text, is created using CMYK silkcreen, relief and intaglio in combination with laser-cut plates, and risograph printing.

Amze Emmons is an artist living and working in Philadelphia, Pennsylvania (USA). His approach to color is often strangely playful, and his approach to printmaking is experimental, often using chance and craft to trouble traditional expectations. Amze’s distinctive depictions of mundane objects and depopulated, urban landscapes are often created by combining several printmaking techniques with hand-coloring. Currently he is working on a series of prints putting the precarious quality of drawing into tension with the authority of the printed mark.

Miguel Rivera-Ortega is an artist living and working in Kansas City Missouri (USA). His approach to color is informed by his interest in Latinamerican identity history, and his approach to printmaking is non-linear and complex.  His multilayered expanded media work is created with intaglio, relief and lithographic printmaking  techniques as well as digital tools such as laser and CNC technology. Currently Miguel is working on a series of works on paper addressing religious architecture, mapping and how they are used to instill colonialism.  

April Flanders is an artist living and working in Boone, North Carolina (USA). Her approach to color is intuitive and expressive and her approach to printmaking is experimental. April’s intricate and often large-scale work is created with monotype, screenprinting and lithography. Currently she is working on a series of mixed media monoprints that address aquatic invasive species.

Andrew DeCaen is an artist living and working in Denton, Texas (USA). His approach to color is technical and relational and his approach to printmaking is methodical and traditional. Andrew’s contemplative, detailed and sensitive work is created primarily with lithography and screenprinting techniques, through which he transforms drawings and prints into sculptural forms. The majority of his current work focuses on several interrelated projects related to rituals surrounding food.