Kim Kei is an artist living and working in Los Angeles, California (USA). A sense of searching forms her approach to color, and her approach to printmaking is to listen to and collaborate with the materials themselves. Kim’s biomorphic, membranic work has implied movement. It is created with layered monotype and collagraph print techniques and low-relief sculptural skins, which become drawing partners in the process.

Orit Hofshi is an artist living and working just north of Tel Aviv (Israel). Her approach to color has been very particular, while recently becoming bolder. She is a passionate scholar of printmaking traditions and the great masters, and she also explores a combinatorial and non-conventional approach to printmaking.

Justin Diggle is an artist living and working in Salt Lake City, Utah (USA). His approach to color is somewhat planned but also serendipitous, and his approach to printmaking uses collaging as the basis of ideas. His textural and surreal work is created with screenprint, laser engraving, etching printmaking techniques, and graphite drawings.

Heather Kahn-Pyatt is an artist living and working in Boulder, Colorado (USA). Her approach to color is both formal and intuitive, and her approach to printmaking is iterative. Her textural and evolving work is created with serigraphy, xylography, linocut, monotype, and monoprint printmaking techniques, Her other ways of working include hand drawings, painting, and pochoir. Currently, Heather is working on continuing to develop work based on a handful of themes that she has been exploring for the past couple of years, hopefully creating both larger, unique prints as well as editions.

Cameron York is an artist living and working in Portland, Oregon (USA). Her approach to color is bold and her approach to printmaking is vibrant and ever-evolving. Cameron’s multi-layered and bright works are created with intaglio, monotype and hand-worked media.

Tracy Featherstone is an artist living and working in Cincinnati, Ohio (USA). Her approach to color is unrepentant and she has a call-and-response approach to printmaking. Tracy’s experimental, tactile and boundary-less works are created with screenprint, relief and collagraph printing techniques. She also works with drawing, sculpture, ceramics and textiles.

Denise Karabinus is an artist living and working in Honolulu, Hawai’I (USA). Her approach to color is harmonized and her approach to printmaking is sculptural. Denise’s organic, transformed and layered prints are created with intaglio, woodblock, chine collé and drawing processes.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Amze Emmons is an artist living and working in Philadelphia, Pennsylvania (USA). His approach to color is often strangely playful, and his approach to printmaking is experimental, often using chance and craft to trouble traditional expectations. Amze’s distinctive depictions of mundane objects and depopulated, urban landscapes are often created by combining several printmaking techniques with hand-coloring. Currently he is working on a series of prints putting the precarious quality of drawing into tension with the authority of the printed mark.

Sean P. Morrissey is an artist living and working in Fayetteville, Arkansas (USA). Their approach to color is observational and their approach to printmaking is broad. Sean’s critical and research-based work is created with a variety of reproducible media, along with 3D modeling, collage, drawing and painting. Currently, they are developing a body of work for the exhibition Tiny roads that lead to nowhere, with Lenore Thomas, that pairs analog and digital print methods as framed works and takeaways.

Marlene Yuen is an artist living and working in Vancouver, BC (Canada). Her approach to color favors loud reds and traditional black hues, and her approach to printmaking involves collaboration, history and research. Marlene’s bright, graphic and political prints and books are created with letterpress, screen printing and relief printing. She works with risograph printing in her book works and drawings, and in her illustration work she enjoys using traditional pen and ink.

Kristen Martincic is an artist living and working in Columbia, Missouri (USA). Her approach to color is to evoke a sensory experience, and her approach to printmaking is mindful. Kristen’s subtle, meditative and luminous prints are created with relief, woodcut, monotype and collagraph processes. She also manipulates printed paper through sewing, stuffing & collaging, creating mixed media works that are a hybrid of print, drawing, painting and sculpture.

Allison Bianco is an artist living and working in Rhode Island (USA). Her approach to color is lively and curious, and her process of printmaking is controlled while also welcoming of unanticipated anomalies. Allison uses intaglio, screen print and hot foil stamping to create her delicate linework and vibrantly-colored prints. She also incorporates drawing and hand coloring in her work.

Tanja Softić is an artist living and working in Richmond, Virginia (USA). She approaches color as a manifestation of light, time of day, season or emotional tone and her printmaking work is simultaneously grounded in traditional media but experimental and interdisciplinary in approach. Tanja’s polyphonic, layered and evocative works are created with etching, photoetching, digital print and collage, along with mokuhanga, monotype, drawing and painting.

Julie Alpert is an artist living and working in Tulsa, Oklahoma (USA). Her approach to color is intuitive, theatrical, nostalgic, and all about relationships (shiny vs matte; saturated vs dull; fluorescent vs earthtones). Julie’s installations, drawings, and collages are created using basic techniques from childhood arts and crafts like cutting, gluing, taping, and coloring. She almost never works from a plan, but with a set of materials and visual symbols, allowing the work to tell her where to go while she’s making it.