Monika Lin is an artist living and working in Shanghai (China) and Philadelphia (USA). Her approach to color is conceptually linked to the subject in her work, and her approach to printmaking material, aesthetic and conceptual. Monika’s experimental and interdisciplinary work is created with relief printing, engraving, monotype/transfer, stencil, letterpress and digital printmaking techniques. She also works with painting, drawing, stop-motion animation, assemblage, manufacturing, weaving and sewing in her work.

Rachel Livedalen is an artist living and working in Texas (USA). Her approach to color is referential and her approach to printmaking involves combining printmaking processes and methods with painting. Rachel’s work references art history and pop culture and is created with screenprinting and stencil techniques, alongside airbrush and acrylic painting.

Keiko Hara was raised and educated in Japan and came to the USA to pursue her art, completing an MFA at Cranbrook Academy of Art in 1976. She has lived and worked in Walla Walla, Washington, for many years. She taught art at Whitman College, Walla Walla, and also was chair of the Department of Fine Art there. Keiko’s art embraces many mediums—painting in oil and watercolor; installations using glass; and printmaking using a wide range of techniques.

Ina Kaur is an artist living and working between cultures and continents. Currently, she is working out of her studio InkSpace in Bangalore, India. She approaches color instinctively yet consciously, and her approach to the printmaking process is with immediacy and control. Kaur's print practice uses processes like etching, relief, litho, stenciling, and blind embossment. Her works employ abstraction and simple rudimentary forms that allow the transition between tangible and intangible concepts. In addition to printmaking, her practice extends to include drawing, sculpture, installation, and collaborative art in the public interest. Her search continues into the ever-shifting, evolving notion of self within our existing cultural paradigms.

Matthew T. McLaughlin is an artist living and working outside of Washington, D.C., (USA). His approach to color is instinctual and his approach to printmaking is meditative. His reflective, environmental and abstract work is created with screenprint and monoprint printmaking techniques along with spray paint, colored pencils, paint pen and graphite. Matthew’s current work pushes how he thinks around color and texture as it relates to mapping and meditative practices focusing on landscape imagery.

Liz Ferrill is an artist living and working in Snowmass Village, Colorado (USA) at Anderson Ranch Arts Center. Her approach to color is relative and her approach to printmaking is additive. Her work focuses on shape, the depiction of light and shadow, and exploration of mundane spaces through the use of pochoir printing methods and Rubylith screen printing techniques. Liz also makes monochromatic ink wash drawings that she is translating into Rubylith screen prints. She is also exploring screenprinting and pochoir through printing onto window screens.