Justin Diggle is an artist living and working in Salt Lake City, Utah (USA). His approach to color is somewhat planned but also serendipitous, and his approach to printmaking uses collaging as the basis of ideas. His textural and surreal work is created with screenprint, laser engraving, etching printmaking techniques, and graphite drawings.

Cameron York is an artist living and working in Portland, Oregon (USA). Her approach to color is bold and her approach to printmaking is vibrant and ever-evolving. Cameron’s multi-layered and bright works are created with intaglio, monotype and hand-worked media.

Jill AnnieMargaret is an artist living and working in Boise, Idaho. Her approach to color is intuitive and her approach to printmaking is adventurous. Jill’s varied and unconventional work utilizes the processes of screenprint, etching, monotype and relief to create immersive experiences for the viewer.

Amze Emmons is an artist living and working in Philadelphia, Pennsylvania (USA). His approach to color is often strangely playful, and his approach to printmaking is experimental, often using chance and craft to trouble traditional expectations. Amze’s distinctive depictions of mundane objects and depopulated, urban landscapes are often created by combining several printmaking techniques with hand-coloring. Currently he is working on a series of prints putting the precarious quality of drawing into tension with the authority of the printed mark.

Allison Bianco is an artist living and working in Rhode Island (USA). Her approach to color is lively and curious, and her process of printmaking is controlled while also welcoming of unanticipated anomalies. Allison uses intaglio, screen print and hot foil stamping to create her delicate linework and vibrantly-colored prints. She also incorporates drawing and hand coloring in her work.

Tanja Softić is an artist living and working in Richmond, Virginia (USA). She approaches color as a manifestation of light, time of day, season or emotional tone and her printmaking work is simultaneously grounded in traditional media but experimental and interdisciplinary in approach. Tanja’s polyphonic, layered and evocative works are created with etching, photoetching, digital print and collage, along with mokuhanga, monotype, drawing and painting.

David Lopes is an artist living and working in Porto (Portugal). He often works with analogous hues in his approach to color, and his approach to printmaking is interdisciplinary. The multi-layered surfaces of his work are made through etching processes, and he also works in watercolor painting. David is currently enrolled in a PhD program in Fine Arts at Universidade do Porto, where he is also working within the faculty on a new printmaking research center, In Pure Print. David focuses his own study on photomechanical printing processes from the 19th century.

Susan Belau is an artist living and working in San Francisco, California (USA). Her approach to color is a search for a secret ingredient and her approach to printmaking is methodical. Susan’s distilled, nuanced and landscape-based work is created through etching techniques and watercolor painting. Currently Susan is working on a series of small etchings which focus on public lands, suburban streetscapes, government buildings and city squares. These works play with elements in the built environment that reflect practices of privacy, barriers and navigating shared space.

Carrie Scanga is an artist living and working in Portland, Maine (USA). Her approach to color is embodied and associative and her approach to printmaking involves installation, works on paper and artists books. Her delicate, printed paper installations are created with intaglio methods of printmaking as well as intricate folding techniques to create special experiences. Currently, Carrie is working on “Sanctuary”–a social-practice print- and story-based installation and collaboration with writer Emily Rapp Black.

Marilee Salvator is an artist living and working in Bowling Green, Kentucky (USA). Her approach to color is intuitive and her approach to printmaking experimental. Marilee’s highly layered, abstract and biology-inspired work is created with a mix of printmaking process including etching, relief, screen-print and monotype. Currently she is juggling a few different projects including a large-scale, modular print installation and several more modest sized traditional pieces that incorporate collaged prints.

Karen Kunc is an artist living and working in Lincoln, Nebraska (USA). Her approach to color is intuitive, nuanced and intense, and her approach to printmaking is traditional with contemporary innovations. Karen’s nature-based and lyrical abstraction work is created with color reduction woodcut printmaking techniques and she also makes artists books. Currently she is working on a new series of large woodcuts with metaphoric imagery, as well as a new series of small-scale etchings for a book project that is still in the incubation stage.

Ina Kaur is an artist living and working between cultures and continents. Currently, she is working out of her studio InkSpace in Bangalore, India. She approaches color instinctively yet consciously, and her approach to the printmaking process is with immediacy and control. Kaur's print practice uses processes like etching, relief, litho, stenciling, and blind embossment. Her works employ abstraction and simple rudimentary forms that allow the transition between tangible and intangible concepts. In addition to printmaking, her practice extends to include drawing, sculpture, installation, and collaborative art in the public interest. Her search continues into the ever-shifting, evolving notion of self within our existing cultural paradigms.

Leekyung Kang is an artist living and working in Pocatello, Idaho (USA). Lee’s approach to color is defined by the CMYK printing process in combination with a layered, analog process. Her printmaking and installation work is created through screenprinting, digital print, etching, relief and lithography, along with installation and video. Lee has navigated the structural framework and bone/skeleton of infrastructure in the urban landscape since 2014. By exploring the surface of spatiality such as construction sites and scaffolding structure, her work leverages architectural imagery with mixed media. Lee’s work seeks to uncover the unseen space, which is present, but never fully revealed.

Ana Bianchi is an artist living and working in the San Francisco Bay area (USA) in her home studio in Walnut Creek. Her approach to color is AnaLovesColor and she identifies as a printmaking phoenix–in that, whenever she returns to printmaking in her art, it is with fire and intensity. Her colorful, detailed and line-loving work is created with a variety of printmaking techniques, including: etching, aquatint, drypoint, chine-colle, xylography, linocut, rubber stamps and monoprint. In addition, Ana creates mixed media works on paper and canvas, and she works with digital tools and photography.

Ruben Castillo is an artist living and working in Kansas City, Missouri (USA). His approach to color is minimal and monochromatic, and his approach to printmaking is slow and meditative. His intimate, quiet and sensitive work is created with intaglio-based methods such as etching and engraving. Ruben also creates work in the mediums of drawing, video and installation, and his research has a focus on queerness and the ordinary. Currently Ruben is working on a portfolio of etchings titled, “One Week in Spring”.