Asa Mease is an artist and printmaker living and working in Boulder, Colorado (USA). His approach to color highlights its materiality, and his meandering approach to printmaking is one of reproducibility and found images. His work in print, book arts, sculpture, and paint is rooted in a conceptual and research-based practice, and references products, artifacts, and ephemera, with a foundation in the practical and quotidian.

Tracy Featherstone is an artist living and working in Cincinnati, Ohio (USA). Her approach to color is unrepentant and she has a call-and-response approach to printmaking. Tracy’s experimental, tactile and boundary-less works are created with screenprint, relief and collagraph printing techniques. She also works with drawing, sculpture, ceramics and textiles.

Alex Lukas is an artist living and working in Santa Barbara, California (USA). Their approach to color is often practical, and their approach to printmaking focuses on the distribution of printed ‘zines and ephemera, alongside the incorporation of printmaking techniques as tools for drawing and painting. Their elaborate publishing projects and research-based projects are created with Risography, serigraphy, and offset lithographic printmaking techniques incorporated into multifaceted, cross-disciplinary visual projects.

Arron Foster is an artist living and working in Kent, Ohio (USA). His approach to color is intuitive and rooted in his exploration of place, and his approach to printmaking is interdisciplinary and project driven. Arron's research-based work is investigative and involves observing, studying, and documenting specific locations using print media and installation. He hopes that his work will encourage interest and empathy for the spaces we occupy.

Joseph Lappie is an artist, professor, and chair of the Art + Design department at St. Ambrose University in Davenport, Iowa (USA). His approach to color is malleable and his approach to printmaking is evolving as well as experimental failure. His installation-based and artist’s book work is created with predominantly relief and letterpress printmaking techniques and peppered with handmade paper, bookbinding, and shadow. Myth and religion, gender and power and the grey space between dichotomies inform his work.

Marlene Yuen is an artist living and working in Vancouver, BC (Canada). Her approach to color favors loud reds and traditional black hues, and her approach to printmaking involves collaboration, history and research. Marlene’s bright, graphic and political prints and books are created with letterpress, screen printing and relief printing. She works with risograph printing in her book works and drawings, and in her illustration work she enjoys using traditional pen and ink.

Angela Pilgrim is an artist living and working in Newark, New Jersey (USA). In her work she uses complimentary colors to explores color theory to further connect her language to the viewer. Her precision-oriented prints incorporate abstract shapes, patterns and Black identity/narrative. Angela works with screenprinting, risography, painting and collage. Her current work focuses on a series of risograph prints and a book about the story of black girl(s)/women hairstyle experience, and a risograph book on the connection between mother, son and the world called "black boy warrior".

Keiko Hara was raised and educated in Japan and came to the USA to pursue her art, completing an MFA at Cranbrook Academy of Art in 1976. She has lived and worked in Walla Walla, Washington, for many years. She taught art at Whitman College, Walla Walla, and also was chair of the Department of Fine Art there. Keiko’s art embraces many mediums—painting in oil and watercolor; installations using glass; and printmaking using a wide range of techniques.

Carrie Scanga is an artist living and working in Portland, Maine (USA). Her approach to color is embodied and associative and her approach to printmaking involves installation, works on paper and artists books. Her delicate, printed paper installations are created with intaglio methods of printmaking as well as intricate folding techniques to create special experiences. Currently, Carrie is working on “Sanctuary”–a social-practice print- and story-based installation and collaboration with writer Emily Rapp Black.

Nicole Pietrantoni is an artist living and working in Walla Walla, Washington (USA). Her intuitive approach to color involves CMYK (cyan, magenta, yellow, black) halftone printing process and she takes an experimental and expansive approach to printmaking. Nicole’s colorful folded paper installations explore how humans relate to nature through using inkjet printing, CMYK and silkscreen processes and bookbinding, along with photography, text and ongoing collaborations with poets. Currently she is working on a new series of work for a solo show at Platform Arts in Belfast, Northern Ireland in 2021.

Benjamin D. Rinehart is an artist living and working in Appleton, Wisconsin (USA). His approach to color is intuitive and reflective, and his approach to printmaking is based on layering and unique color combinations. Benjamin’s socially charged work is created primarily with reductive printmaking techniques that are incorporated into pop-up’s and movables, in a variety of book formats. Currently he is working on a series called “The Boys & Bubs”.

Nick Satinover is an artist living and working in Murfreesboro, Tennessee (USA). His approach to color is responsive and his approach to printmaking is luddite. Nick’s contrasting, accumulative and collage work is created primarily with lithography and woodcut printmaking techniques and occasionally everything else. Currently he is preparing works for delayed solo exhibitions and a series of loop-based guitar compositions which will be made into an edition of lathe-cut vinyl records (with accompanying printed material).